← Back to Insights
Strategy · Radio Reach · Pierre Bouvard · Westwood One

Radio Is Not Dead. Your Radio Creative Might Be. Here's How to Fix It — and Why a Jingle Is the Answer.

Pierre Bouvard has spent a decade as Chief Insights Officer at Cumulus Media/Westwood One busting the myths that keep advertisers off radio. The data he's assembled is staggering. And what it points to — consistently, stubbornly, across study after study — is a jingle.

The Reach Problem Nobody Talks About

Ask an advertiser or media buyer how many Americans radio reaches in a typical week and they'll tell you around 47%. The actual number, according to Nielsen, is 90%. That gap — nearly double the perceived reality — is one of the most expensive myths in advertising.

90%
of Americans are reached by AM/FM radio in a typical week — nearly double what most advertisers and media buyers believe.
Nielsen · Cumulus Media/Westwood One Audio Active Group
69%
of all ad-supported audio time among adults 18+ goes to AM/FM radio. Podcasts are next at 16%. Spotify, Pandora, SiriusXM — all in single digits.
Edison Research Share of Ear · 2025
86%
of adults 18+ spend time with AM/FM radio in the car — making it the dominant medium at the closest point to the moment of purchase.
Edison Research · Westwood One
"If you want to reach Americans on the path to purchase, all roads lead to AM/FM radio."
Pierre Bouvard · Chief Insights Officer · Cumulus Media/Westwood One Audio Active Group

The Real Problem: Dull Ads

The reach is there. The audience is there. So why isn't radio advertising working better for most brands? According to Bouvard, the number one emotion triggered by the average AM/FM radio ad isn't happiness, surprise, or even contempt. It's neutrality. Not an emotion at all.

The culprit is a fundamental misunderstanding of how advertising works. Most radio ads are written as if everyone listening is in the market right now — ready to buy, just waiting for a price point or a phone number. The Ehrenberg-Bass Institute of Marketing Science puts the actual number at just 5%. Only 5% of Americans are in the market for anything at any given moment. The other 95% need to be given a reason to remember you when they eventually are.

"Advertising works by creating memories. People consult their memories in the future if they happen to have a need. If we mistakenly think everyone is in the market right now, we're going to make our ads sound like everyone is just getting ready to buy something right now."

Consistency Is a Superpower — And Jingles Are Its Engine

One of the most consistent findings across every major advertising effectiveness study is that brands with consistent distinctive assets — a recognizable sound, a recurring melody, a guarded jingle — outperform those that constantly refresh their creative. Bouvard points to O'Reilly's as a case study in getting this right.

"O'Reilly's has a jingle that they have jealously guarded and maintained for decades and resisted the temptation to change, eliminate, or make unrecognizable. Every retailer needs to sit down and ask: what makes me unique? Then codify that and say, whatever kind of advertising we do, we have to stick to these distinctive brand assets."
Pierre Bouvard · Radio Ink · January 2025

This is exactly what a custom jingle does. It's not just a memorable moment in an ad — it becomes a distinctive brand asset that compounds in value every time it airs. The melody carries the brand name. The lyric carries the promise. Together they create a memory that sits in the listener's mind long after the ad is over — and gets retrieved the moment they need what you sell.

Creative Best Practices — What the Data Says

The Mediaprobe study commissioned by Westwood One measured second-by-second electrodermal activity of listeners to pre-recorded AM/FM radio ads across genres. The findings on what drives attention, brand fit, and recall are clear:

"The sound contrast between AM/FM radio programming and the ads drives higher attention and brand recall. Ads with music and jingles perform very well in spoken word programming due to the contrast." — Westwood One / Mediaprobe Creative Best Practices Study

The 5% Problem — And What a Jingle Solves

If only 5% of your audience is in the market right now, what are you doing for the other 95%? A great jingle answers this question permanently. It turns every impression — even one heard by someone who doesn't need you today — into a memory deposit. When that listener eventually does need a mortgage company, a foundation repair service, a charity car donation, your name is the one that surfaces first. Not because you spent more. Because you made something memorable.

Radio reaches nine in ten Americans. The creative that makes it work — the thing that converts reach into recall, and recall into revenue — is a jingle. Not a tagline. Not a price point. A jingle.

Pierre Bouvard's data doesn't just make the case for radio. It makes the case for doing radio right. And doing it right means giving your listeners something to carry with them after the ad ends.

Sources: Pierre Bouvard, Radio Ink interview, January 2025 · Cumulus Media/Westwood One Audio Active Group Creative Best Practices Handbook, 2025 · Edison Research Share of Ear 2025 · Nielsen Comparable Metrics · Mediaprobe/Westwood One Radio Advertising Effectiveness Study · Ehrenberg-Bass Institute of Marketing Science